For as long as humans have been sophisticated enough to desire entertainment, we've had an innate fascination with being horrified. Perhaps the last vestigal remants of the "fight or flight" instinct give us this visceral thrill, which we can enjoy freely with the knowledge that what we are seeing is not real.
As ingrained as the love of being scared is in the human psyche, it's suprising that horror took a while to establish itself as a major genre in the motion picture business. In the earliest days of the movies, they were not very common, particularly in America, where religious groups still held great sway over public opinion.
At the beginning of the industry, it was in Europe that horror films first took root. Pioneering French filmmaker
Georges Melies (best known for 1902's
A Trip to the Moon) is credited with creating the earliest examples with his two short films,
The House of the Devil (1896) and
The Cave of the Demons (1898).
At the start of the 20th century, the epicenter of the motion picture biz was in Germany, and horror pictures were no different. A wave of
Expressionistic films emerged there in the '10s and '20s, the impact of which continues to be felt to this day. Chief among them were Paul Wegener's
The Golem (1920), Robert Wiene's
The Cabinet of Dr. Caligari (1920) and of course, F.W. Murnau's 1922 masterpiece,
Nosferatu--the first of countless
Dracula adaptations.
Meanwhile, in the States, it was actually
Thomas Edison, who had invented motion picture technology in the first place, whose production company put out what may be America's first horror movie and the first in another long tradition, 1910's short film
Frankenstein.
In Hollywood, the 1920s produced the first horror movie megastar, the one and only
Lon Chaney. Known as "The Man of a Thousand Faces," Chaney achieved notoriety in large part due to his uncanny ability to transform himself through make-up. Chief among his notable roles are
The Monster (1925), lost film
London After Midnight (1927) and his iconic turn in
The Phantom of the Opera (1925), which gave rise to
Universal's classic monster movie series the following decade.
The end of the 1920s saw the rise of a revolution in filmmaking thanks to arguably the greatest innovation the industry has ever seen: sound. The effects would be profound, and horror movies would lead the way.
Other major releases:
Soon to come:
Part 2 - Gods and Monsters
Very unexpected news today for one of the most infamously troubled novel-to-film franchises ever. An anonymous spy has reported to Bloody-Disgusting that United Artists is in talks to land the rights to The Tale of the Body Thief, the fourth volume in Anne Rice's mostly superb Chronicles of the Vampires.
