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Sunday, March 8, 2009

Want to Know What Scares Me?

After procrastinating long enough, it's only fair that since my worthy Vault of Horror contributors Karl Hungus and RayRay have seen fit to bare their respective souls around here of late, it's time for ol' B-Sol to come clean and discuss what I've found most terrifying in horror movies over the years.

My lifelong obsession with horror is most certainly tied to this fascination I, along with many others, seem to have with that which I find personally frightening. To a certain extent, it's the rubbernecking phenomenon--we find ourselves morbidly drawn to face the very things that freak us out. Some folks can't seem to relate to this personality trait. I'm betting not many of them are reading this blog.

The earliest sense of true fear I ever remember experiencing with regards to horror came from the movies I was exposed to on regular TV. Like many of my fellow GenXers, I got my first taste of genre movies thanks to the wonderland known as afternoon syndicated TV. Growing up in Brooklyn, that meant WNEW Channel 5, WPIX Channel 11 (a.k.a. "11 Alive") and WOR Channel 9. These channels have since fallen prey to the blights of mini-networks and informercials, but back then, it was a veritable wonderland of spaghetti westerns, Planet of the Apes flicks, kung-fu, Abbott & Costello, and so much more.

Allow me to explain for all you pampered millenials out there. See, we didn't have TV channels specifically designed with 24-hour kids' programming. Forget DVD, I'm going back before VCRs here. We could count all our channels on two hands, and we had to watch what was on--which, with the exception of Saturday mornings and a few hours after school, was stuff not particularly programmed with kids in mind. Sure it sucked compared to the choices kids have today. But on the positive side, it was precisely due to that lack of choice that we got exposed to a lot of great stuff we may never have learned to appreciate had it been set adrift amidst a sea of distractions.

I can recall going over my grandparents' house for Sunday dinner, and later in the day, my little tummy full of macaroni, chicken and salad, experiencing the horrors of Hammer Films at the foot of my grandpa's recliner. This was shocking stuff for a seven-year-old--blood, boobs, demonic vampires seeking to transform you into something that wasn't human.

If memory serves, the one that got to me the most was called Lust for a Vampire, the tale of a naive mortal who becomes entangled in the web of a coven of female bloodsuckers. Although now I may realize it is not the most highly regarded of the Hammer canon, nevertheless, at my tender age it affected me profoundly. And despite my pre-pubescence, I can remember somehow vaguely perceiving the sinister sexuality that pervaded the whole movie, even if I didn't have the intellectual vocabulary yet to recognize it as such.

Interestingly, some of the earliest mental scarring inflicted upon me by horror films came from made-for-TV movies. There was Gargoyles, When Michael Calls, and Don't Be Afraid of the Dark, three early '70s cult favorites that I saw as afternoon reruns, and which became instant nightmare material. The latter film stuck with me so strongly that for years (prior to the advent of IMDB), I kept trying to find out if it was a real movie at all, or just a bizarre figment of my childhood imagination. And who could forget Dark Night of the Scarecrow, which I saw when it aired for the very first time, right around Halloween 1981.

Perhaps it's because I had this exposure as a little kid that I take a relatively liberal attitude toward my own kids and their experiences with horror. I mean, in my case it may have meant sleeping with the covers over my neck to prevent Dracula from attacking me in the middle of the night, but hey, if that's the worst of it, what's the big deal? You grow up, you realize vampires aren't out to get you, and life goes on.

More to come tomorrow...

Saturday, March 7, 2009

Hmm. I Still Think the Last House Remake Will Be Good, Despite this New Commercial

Kids, if you want a lesson in how to strike exactly the wrong tone for the movie you're trying to promote, check this out:



I'm going to write this silliness off as a minor hiccup. You may continue to color me optimistic about this film. Even after the baseball sound effect. How's that for the power of positive thinking?

Friday, March 6, 2009

Preparing Our Children to Wage War Against the Shoggoths

Want to laugh so hard you can't breathe? Head on over to The Onion and read this story about one Charles West, an Arkham, Massachusetts school board member who argues for the introduction of the Pnakotic Manuscripts and the Necronomicon into the syllabus. Here's just a taste:

"Our schools are orderly, sanitary places where students dwell in blissful ignorance of the chaos that awaits," West said. "Should our facilities be repaired? No, they must be razed to the ground and rebuilt in the image of the Cyclopean dwellings of the Elder Gods, the very geometry of which will drive them to be possessed by visions of the realms beyond."

I can only aspire to one day be able to write a piece half as funny as this. Brilliant. Enjoy the hilarity in its entirety:

"Lovecraftian School Board Member Wants Madness Added to the Curriculum"

Thanks to fellow LoTTD member Paul Bibeau for bringing this to my attention.

Thursday, March 5, 2009

Madonna Compared to Pennywise?

My loyal readers know that I never choose to take the sleazy celeb gossip route, but this one was just to good to pass up, and oh-so-relevant!

Could it be that Madonna is a huge fan of Stephen King's It? Unlikely. My fellow Blogspot blogger Perez Hilton is reporting that someone has shipped 100 DVDs of the fan-favorite TV miniseries, as well as 50 copies of King's original novel, to all of her various assorted homes. Rumor has it that the most likely sender is her ex-husband, director Guy Ritchie--who, according to sources close to the former couple, took to calling her "It" towards the end of their tumultuous marriage, apparently comparing her to the evil, monstrous clown Pennywise.

Whoever pulled the prank would have to be someone who knows all of the pop icon's personal addresses, which also points to Ritchie. Madonna is apparently furious over it.

Through a spokesperson, she had this to say: "We all float down here."

OK, just kidding about that last bit...

Wednesday, March 4, 2009

Has the New Freddy Krueger Been Cast?

So Fangoria may have stumbled into the casting news that everyone's been wondering about. Let's face it, the Nightmare on Elm Street remake is happening--there's nothing we can do about it. So the big question is: Who will be the new Freddy?

Well, good ol' Fango cornered Jackie Earle Haley at Wondercon. Haley was there to promote the upcoming Watchmen movie, in which he plays the masked Rorschach. But of course, the relevant matter here was the floating rumors that Haley might be attached to a certain razor-gloved son of a hundred maniacs. And his response was very interesting, basically indicating--unlike the earlier Billy Bob Thornton scuttlebutt--that the rumors are rooted in fact. Doesn't sound like it's 100% locked up yet, but it seems a real possibility that we may be looking at the next Springwood Slasher... Check the video below:

Tuesday, March 3, 2009

ABC Announces First Star for Its V Remake

The recently announced greenlit remake of the 1980s classic miniseries V now has its first officially attached star. The Hollywood Reporter broke the news yesterday that Scott Wolf of Party of Five fame--last seen on ABC's ill-fated The Nine--will play the role of a TV newscaster who turns Baltar and becomes the Visitors' propaganda tool.

The new version of V is planned as an ongoing series, and is expected to follow a somewhat different narrative from the original. Meaning, don't expect any of the characters you knew from before. I'm thinking this thing is going to be heavily BSG-influenced.

* * * * * * * * * *

I wanted to thank all the contributors and readers who helped make the first-ever Cyber Horror Awards a success. If you head over to the awards page, you'll be able to read some gracious words from some of the winners, including Saw V director David Hackl, who won Best Production Design for Repo! The Genetic Opera. Here's hoping that the CHAs will become even bigger and better in the coming years!

Monday, March 2, 2009

The Vault of Horror Presents the First-Ever Cyber Horror Awards!

After weeks of debate and downloading, the balloting for the 2008 Cyber Horror Awards, the very first horror film accolades bestowed by online horror bloggers/writers, is complete. I'd like to thank the wide spectrum of talented and discerning participants who took part in voting on the nominees.

The results are in, and as many foresaw, the story of these awards' first year is the story of an unlikely foreign film that took the online genre community by storm in 2008. Let the Right One In captured seven of 12 CHAs, including every category in which it was nominated.

For a more detailed look at the winners, head over to the official page of the CHAs, but if you want to cut right to the chase here at the good ol' Vault, here you go:

Ray Harryhausen Award for Best Visual Effects
The Ruins

Albert S. D'Agostino Award for Best Production Design
David Hackl, Repo! The Genetic Opera

Tom Savini Award for Best Makeup
Greg Nicotero, Diary of the Dead and Mirrors

Bernard Herrmann Award for Best Score
Johan Soderqvist, Let the Right One In

Karl Freund Award for Best Cinematography
Hoyte Van Hoytema, Let the Right One In

Curt Siodmak Award for Best Screenplay
John Ajvide Lindqvist, Let the Right One In

Linnea Quigley Award for Best Supporting Actress
Lizzy Caplan, Cloverfield

Dwight Frye Award for Best Supporting Actor
Vinnie Jones, The Midnight Meat Train

Vincent Price Award for Best Actor
Kare Hedebrant, Let the Right One In

Jamie Lee Curtis Award for Best Actress
Lina Leandersson, Let the Right One In

David Cronenberg Award for Best Director
Tomas Alfredson, Let the Right One in

Val Lewton Award fort Best Film
Let the Right One In, EFTI

There you have it, dear readers, the horror blogosphere's take on the very best of 2008. I'd like to specifically thank the excellent writers who joined me in this exciting experiment:

If you're a horror blogger, or an online horror critic of any other variety, and you want to be considered for participation in next year's go-around of the Cyber Horror Awards, give me a holler.

Friday, February 27, 2009

Lovecraft Freaks Take Note: This Web-Comic Is For You!

Ol' B-Sol back at ya with a truly primo discovery. Web-comics have been around for quite a while now, but I've never been that into the phenomenon, preferring the old-fashioned paper variety. Until now.

Larry Latham's Lovecraft Is Missing is a web-only comic/graphic novel that asks the intriguing question, "What if H.P. Lovecraft's stories were based on real life?" The story takes the form of a bizarre mystery, as an occult scholar and a fellow pulp writer follow the trail of the vanished Lovecraft and the strange secrets he's stumbled upon. The art is striking, including some color work that really breaks new ground with regards to the possibilities of Photoshop. The whole affair has a definite Alan Moore/Kevin O'Neill LOEG vibe to it.

Latham has been publishing the work online, page-by-page, since last August. A recent sample, with all due credit to Mr. Latham:


Gear Live currently has an interview up with Latham wherein he talks about the long struggle he's had bringing Lovecraft Is Missing to fruition, from its incarnations as a CD-ROM game, proposed DC Vertigo title, and animated flick. After checking out this quality stuff, I assure you that you, too, will be scratching your head at Vertigo's uncharacteristic lapse in judgment. I urge all fans of Lovecraft and Lovecraftian horror to check it out!

* * * * * * * * * *

And while I'm on the topic of discoveries, I'd also like to take the time out to direct your attention to a fine new blog that you would do well to get in on at the ground floor. It's called Day of the Woman, and its author, the lovely BJ-C, is a horror fanatic/aficionado of impressive rigor. The task she has charged herself with is the exploration of the subject of women in horror, and she's already put up a fascinating bunch of posts on topics such as the fixation on creepy little girls, and the morbid fascination with rape. So head on over and take a look--if for no other reason than to marvel at Camille Keaton's iconic posterior.

Wednesday, February 25, 2009

Icons of Italian Horror to Invade New Jersey

My apologies for two posts in a row on spaghetti horror, but this is a big one. And as a long-time Chiller Theatre patron, I personally couldn't be more excited.

Long-running northeastern genre expo Chiller Theatre, in association with Paura Productions, has announced that this April's Chiller convention will feature the largest collection of Italian horror luminaries ever assembled, including a 30th anniversary reunion of the cast and crew of Lucio Fulci's Zombie (a.k.a. Zombi 2).

"It will be a historic occasion," says Paura founder Mike Baronas, the evil mastermind behind the whole shebang. "It will be a surreal experience to stand in one place surrounded by all these folks I grew up adoring, and I'm certain I won't be alone in that respect."

Scheduled to appear are:

From ZOMBIE

  • Ian McCulloch (Dr. Butcher M.D., Contamination)
  • Richard Johnson (The Haunting, Beyond the Door, Screamers)
  • Al Cliver (The Beyond, Cannibals, Endgame, Demonia, Devil Hunter)
  • Ottaviano Dell’Acqua (Rats: Night of Terror, Cut & Run, Zombi 3)
  • Giannetto De Rossi (SPFX maestro of High Tension, Dune, The Beyond)
  • Mirella De Rossi (Hair Stylist of Dragonheart, Conan the Destroyer)

The Children from THE HOUSE BY THE CEMETERY

  • Giovanni Frezza (Demons, Manhattan Baby, A Blade In The Dark)
  • Silvia Collatina (Murderock, Big Alligator River)

Also Featuring…

  • Luigi Cozzi (Director of Contamination, Starcrash, The Killer Must Kill Again)
  • Zora Kerova (Cannibal Ferox, Anthropophagus, The New York Ripper)
  • Malisa Longo (A Cat in the Brain, Fraulein Kitty, Miranda, Way of the Dragon)
  • Beatrice Ring (Zombi 3, Graveyard Disturbance, Interzone)
  • Michael Sopkiw (2019: After the Fall of New York, Devil Fish, Blastfighter)

Quite a bunch. I'm particularly psyched about 82-year-old Richard Johnson, a true horror legend going all the way back to The Haunting in 1963. And the creepy kids from The House by the Cemetery--need I say more?

Chiller Theatre happens in scenic Parsippany, New Jersey the weekend of April 17-19.

Tuesday, February 24, 2009

The Ultimate Argento Rarity Finally Hits Video After 37 Years

It's a tortuous and bizarre story, as much as most of Argento's films themselves are. In 1971, the Italian auteur completed his third film, 4 Mosche di Velluto Grigio, or Four Flies on Grey Velvet. Due to the violent nature of the giallo, he was unable to obtain distribution in his own country. Paramount Pictures picked up the U.S. distribution the following year, but when it hit American theaters in the summer of 1972, it was in edited form.

Since then, unless you were lucky enough to catch a rare theatrical screening, the film has been all but impossible to see, especially in uncut form. Argento himself was reportedly unhappy with the movie. On top of that, the rights are owned by a single anonymous individual, and with the original, uncut print stored in Rome, it was never a priority for Paramount Home Video to pursue. Allegedly, a bootlegged version popped up on VHS in France during the 1990s, but that had been made using the edited American print. Swedish distributor DMEG put out a low-quality VHS in 2004 in Sweden, one of more than 200 horror movies the company released that year. This version was later translated to an equally crappy German bootleg DVD.

But at the end of 2008, at long last, after failed attempts by genre distributors like Blue Underground, Mya Communication somehow secured the rights and got their hands on that print. And so, Four Flies on Grey Velvet receives its first official video release today, making this the first time anyone has ever seen it in its original, uncut form. It isn't often that fans get to witness an early, completely lost work from an acclaimed director. This is one such opportunity.
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